Schoolgirl in pantyhose wanks classmate under the table during lesson

We let the B, so this can step up again.

Is there any other chords?

Well, the bass is jumping up, the soprano is jumping down.

That's not going to be parallel to what we wrote.

So we apply there.

And then our V chord, you see a key *****, is B, D sharp, and do not forget, in a V chord, which is major, you must raise the leading tone.

So there's a D sharp and an F sharp, two signature, two Bs.

We have a B, we have an F sharp.

Therefore we need a D sharp and a B.

Here in the tenor, you get a common tone here.

B, I have both Es, so I can cross those out.

Then I need a G and I need a B.

Now here, I could, you could mistakenly say, oh I'm going to maintain the common tone.

Right, that's a mistake.

I'm going to write the B here because that's a common tone.

And then I'm going to write the G.

So, you can't do that.

And you think to yourself, well, you sit there and on one course, can't we like, move out and go?

So since you can't put it here, we're going to put it here.

And then you're in a position of saying,

do I want to have the triple root and have the alpha go to the d

as well?

Or do I want to have it jump down to the g--

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